Time Out!
Q) What
are the absolute critical pieces for attaining professional sound? |
A) The most critical piece is always your
own creativity. No piece of gear can supplant that. But the items
that give that "professional sound" are:
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1. Excellent Preamps for the Mics
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2. Excellent digital audio converters)
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3. Appropriate Mics for the task
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4. Excellent monitors that reveal the flaws
as well as the strengths
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5. Room treatment: A good sounding room that
does not mask audio problems
-
6. The effective use of mixers, signal processors such as eq, compression,
reverb, delay. These may exist in software or hardware.
-
7. Good sound sources--instruments, amps, synths, samplers, loops.
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Types of Home Studio Systems for Making Music
Assembling 6 different types of Home Studios
Tweak IN
Ok
now it's time to put it all
together and make some decisions.
So I am going to take you out there so you can see the "big picture".
You will have an easier time of things if you can make at least some tentative choices
about what you want your studio to be. So, what do you want the studio to
become? Just a home electronica studio? Or a place where you
can record your guitar and bring in the bass player and drummer sometimes? Or are
you more upscale, and want a modern, clean, super powerful computer DAW running
the show and you want it to do everything? Or maybe you have a garage or big
room you can convert and are entertaining the idea of recording bands.
Below I came up
with the typical options and listed the gear that it is important to get
initially and that which you can get later. As you go down the
chart we get into the frills and specialty gear.
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The Basic/Mixer Soundcard-Based
Studio
typically
1-2 people recording track at a time
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The Basic "Mixerless" Studio
typically 1-2 people recording
track at a time
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The Basic Multi Track Studio
good for small bands, songwriters,
live/rehearsal recordings
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The Basic MPC Studio
good for hip hop and electronica
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Large Mixer Based DAW Studio
good for typical bands, synth
studios, drummers
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The Large Mixerless
DAW Based Studio
good for bands, music composers,
advanced electronica, audio-for-video
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Large Multi-track based
Studio with DAW add-on
good for all kinds of work,
approaches the pro studio
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The Initial "Core Gear" Comes
First |
| Prerequisite:
Average Computer with CD Burner and multimedia speakers |
Prerequisite: Strong Computer with CD Burner
and multimedia speakers
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Prerequisite: High Performing Computer with CD Burner |
Prerequisite:
High Performing Computer with CD Burner |
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Soundcard with MIDI i/o
examples:
M-Audio 2496,
Emu 0404,
M-Audio Delta 44

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Audio Interface
with Mic Preamps and MIDI i/o

Firestudio
mobile
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Multitrack Recorder
examples:
Zoom R-16

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Roland MV8800 Production Studio

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Firewire Mixer
example Mackie
Onyx 1640i (includes audio interface)
--or--
Large Console (examples:
Behringer SX4882
Zed
428
and Audio
Interface with analog i/o.
Examples
Delta 1010,
Motu 24io
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Large Audio Interface
with ADAT option and MIDI i/o Examples:
M-audio Project Mix,
Tascam FW1884,
RME Fireface 800,
Digidesign Digi 03

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24 track Multitrack
Recorder with ADAT or TDIF (24 bit)
Tascam X48,
Alesis ADAT HD24XR
Korg
D3200
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Sequencer
Use what comes with soundcard
to get started
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Sequencer
Use what comes with interface
to get started
|
use
keyboard's sequencer |
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Sequencer
Logic, DP, Cubase Sonar, Pro Tools LE, etc.
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Sequencer
Logic, DP, Cubase Sonar, Pro Tools LE, etc.
|
use keyboard's sequencer |
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2+2 bus Mixer
example Mackie 1402 VLZ3

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Mackie
D2
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MIDI Interface

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Additional
Mic preamps

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Premium
Mic preamp

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Condenser
Microphone
Example: Studio Projects B1
B1
Large Condenser
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Condenser
Microphone
Example Rode NT1a
NT1a
Large Condenser
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Mics
Large and Small Condensers and a Dynamic
NT4
Stereo Small Condensers
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|
Mics
Large and Small Condensers and a Dynamic
RE20
Dynamic
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Mics
Large and Small Condensers and a Dynamic
SM81
Small Condenser
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Mics
Large and Small Condensers and a Dynamic
MD421
Dynamic
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MIDI
Keyboard with sounds

Examples:
Roland Juno-D
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Keyboard Controller

Emu Xboard 49 49-Key MIDI Controller
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Keyboard
Korg
M50
 |
Edirol PCR300 32-Key USB/MIDI
Keyboard Controller  |
Keyboard

example
Yamaha 'Mo
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Keyboard

Yamaha S90XS 88-Key
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Keyboard

Roland Fantom-G8 88-Key Sampling
Workstation
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Stands and Pop Screens

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Stands and Pop Screens

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Stands and Pop Screens

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Stands and Pop Screens |
Stands and Pop Screens

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Stands and Pop Screens

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Stands and Pop Screens

|
|
use whatever speakers you have for now |
use whatever speakers you have for now |
Studio Monitors

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Studio
Monitors  |
Studio Monitors

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Studio Monitors

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Control Room
Monitors

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| |
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XLR stage Box or snakes |
XLR stage Box or snakes |
XLR stage Box or snakes |
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Headphones |
Headphones |
Headphones |
Headphones |
Headphones |
Headphones |
Headphones |
|
Website for Music Demos |
Website for Music Demos |
Website for Music Demos |
Website for Music Demos |
Website for Music Demos |
Website for Music Demos |
Website for Music Demos |
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The Basic/Mixer Soundcard-Based
Studio |
The Basic "Mixerless" Studio |
The Basic Multi Track Studio |
The Basic MPC Studio |
Large Mixer Based DAW Studio |
The Large Mixerless
DAW Based Studio |
Large Multi-track based
Studio |
|
This Level Adds Devices that
you want for Unique Sound and capabilities |
|
Dynamic Mic

example
Shure SM57
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Dynamic Mic

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Expand Mic Collection

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Example Rode NT1a
NT1a
Large Condenser
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Expand Mic Collection

|
Expand Mic Collection

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Expand Mic Collection

|
| |
patchbay |
patchbay |
|
|
patchbay |
patchbay |
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Studio Monitors

|
Studio Monitors

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Korg
ESX1 Electribe SX Sampler |

tabletop CD player |
MIDI Modules

example:
Access Virus TI
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Control Surface (if
not included in interface)

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Studio Room Monitors

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Effects processors
Example
TC Electronic M350

Compressor
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Software
Processors
example:
Ozone

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Effects processors
example
Lexicon MX200
Compressor

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Direct Drive Turntable
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Software
Processors

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Software
Processors example:
Waves Platinum

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Monitor Control
PreSonus Central Station Studio Monitor Control Center

|
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Soft Sampler
example Kontakt
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Plugin Boards for multitrack
example
Massenburg VS
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Sample CDs and DVD |
Soft Sampler
example
Kontakt
|
Soft Sampler
example
Halion
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Plugin Boards for multitrack
example:
T-RackS VS Mastering Plugin
|
|
MIDI Modules,
Grooveboxs |
Virtual Instruments Example
MiniMoog V
|
Grooveboxs |
Music
Computer
i |
Virtual Instruments

|
Virtual Instruments example
Stylus RMX

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SRX Cards for Fantom |
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MIDI Interface |
MIDI Interface |
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MIDI Sound Module |
2nd Video Display |
2nd Video Display |
Video Display for MTR |
|
Turntables or other Unique Devices
you may want |
Turntables or other Unique Devices
you may want |
Turntables or other Unique Devices
you may want |
other Unique Devices you may
want |
Turntables or other Unique Devices
you may want |
Turntables or other Unique Devices
you may want |
Turntables or other Unique Devices
you may want |
| |
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The Basic/Mixer Soundcard-Based
Studio |
The Basic "Mixerless" Studio |
The Basic Multi Track Studio |
The Basic MPC Studio |
Large Mixer Based DAW Studio |
The Large Mixerless
DAW Based Studio |
Large Multi-track based
Studio |
|
This Step Adds stuff to "round
out" your studio |
|
Racks |
Racks |
Racks |
Racks |
Racks |
Racks |
Racks |
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Studio Chair |
Studio Chair |
Studio Chair |
Studio Chair |
Studio Chair |
Studio Chair |
Studio Chair |
Small
Condenser Mic
Example:
Rode NT5
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Small
Condenser Mic
Example
Shure SM81LC
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Audio interface with ADAT
Example:
MOTU 828mk2
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Monitor Control

example
Mackie Big Knob
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Monitor Control
PreSonus Central Station Studio Monitor Control Center

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24 ch audio interface with ADAT or TDIF
Examples:
MOTU 2408 Mk3

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| |
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Computer and Editing Software
example Sound Forge,
Peak

|
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Studio Room Monitors |
Studio Room Monitors |
Computer and Editing Software
example
Sound Forge, Peak

|
| |
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Sequencer |
|
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|
Sequencer |
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Basic acoustical treatment |
Basic acoustical treatment |
Basic
acoustical treatment |
Basic
acoustical treatment |
Advanced
Room acoustical treatment |
Advanced
Room acoustical treatment |
Advanced
Room acoustical treatment |
| |
|
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Vocal Booth |
Vocal Booth |
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Studio Furniture as required |
Studio Furniture as required |
Studio Furniture as required |
Studio Furniture as required |
Studio Furniture as required |
Studio Furniture as required |
Studio Furniture as required |
| |
|
|
|
Lighting |
Lighting |
Lighting |
|
The Basic/Mixer Soundcard-Based
Studio |
The Basic "Mixerless" Studio |
The Basic Multi Track Studio |
The Basic MPC Studio |
Large Mixer Based DAW Studio |
The Large Mixerless
DAW Based Studio |
Large Multi-track based
Studio |
|
This Step May Add the expensive
fine quality gear to get your studio more professional |
|
Better
Preamp
example:
Focusrite Platinum Voicemaster Pro

|
Better Preamp
example FMR RNP
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Premium
Preamps
Example
True Systems P-Solo
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Better Preamp
example FMR RNP
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More
Premium Preamps
Focusrite
ISA428 4-Channel Neve-Style Preamp
|
More
Premium Preamps

Avalon VT737SP
|
Preamps
Focusrite ISA428
|
| |
Better
Digital audio converters |
|
|
Premium
Digital audio converters |
Premium
Digital audio converters |
Premium
Digital audio converters |
| |
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Better
Digital audio converters

RME ADI2 24/192 2-Channel AD/DA Converter
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2nd Computer System and Networking

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Add More Digital Gear
Lucid Genx6 96

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Digital Mixer/Control Surface with ADAT or TDIF

example:
Tascam DM3200
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| |
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Separate control room and studio
room construction |
Separate control room and studio
room construction |
Separate control room and studio
room construction |
| |
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Upgraded Electrical, Audio and
Data Distribution systems |
Upgraded Electrical, Audio and
Data Distribution systems |
Upgraded Electrical, Audio and
Data Distribution systems |
| |
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Furniture |
Furniture |
Furniture |
| |
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Separate Machine Room |
Separate Machine Room |
Separate Machine Room |
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Larger audio-interface |
|
Upgrade to a 24
track |
|
|
Professional
Console |
Professional
Console |
The 1st level
has what you need to get the project off the ground. The 2nd level
we are adding the items to get the studio up to a state of completeness and on the
3rd level you will have everything necessary. The final stage
adds the touch of excellence. You don't have to take things all the way.
If, for example, you just want to make music as a hobby, you can just stop after
level one.
You can always
start out mixerless, if you have a fast computer, and add a mixer later if you think
you need one. If you don't have a fast computer you can start with a small
mixer and the simple soundcard your computer came with. These are not hard
and fast rules. For example, there is a lot of ground between the 'basic/mixer/soundcard'
approach and the 'Large Mixer based DAW studio". Of course you can use a 4
bus mixer and an 8x8 audio interface and end up with what we could call an "intermediate
Mixer-based DAW studio".
After all, it's
about the music. I provide this chart just so you have a sense of how
studios evolve. Knowing this helps you avoid major blunders like investing
in a DAW, MPC 2500 and a multi-track, then finding out later that you have three
expensive pieces that all do the same thing. Of course you don't have to rigorously
stick to these definitions. No one is going to bust down the door and say
"Aha! What ARE you thinking! You can't have that effects processor in a DAW
based studio, dude!" Your music might dictate a unique approach. For
example, if you are doing hip hop, then you really don't need lots of soft synths,
and turntables may be bumped up the list.
Which Sounds the
Best? Go to the top of the page and read the 6 critical points. If you
have great preamps, monitors, good mics and excellent converters you are going to
sound stellar on any of the 24 bit systems, give that you learn how to use this
stuff effectively. Even with the lowly M-audio 2496 you can add a Great River
preamp and an Lucid AD9624 and some DynAudio BM5a monitors and sound like a million
bucks, but those three items will cost more than the rest of your studio.
Does greatness in sound quality happen with budget preamps and monitors? No.
But goodness does. Add great talent and the result is still great.
And it is about
money. For every item listed you have to make a decision on how much to spend,
whether you will get new or used gear and at what quality (perhaps the most agonizing
of the decisions). As you go through Tweak's Guide, you will
find dedicated pages on the items listed above.
Questions and Answers
Q) Tweekie Dizzle!
Wana d Hip Hop and the Rap, no wha Im sayin cuz Im da big popper. Uh, what
is best? How does the MPC fit in?
A) Yo don't smack
me with dat Best tish. They all can do hip hop. If your computer is
strong and not some crap windows laptop go mixerless to start. You can go
multi track but your timing has to be very tight to get those beats down.
Or you could go with an MPC 1000 or 2500 (which is like a multi track sampler with
its own sequencer) and follow the basic multi track scheme for the rest of the gear.
Q) I want to
add music to my home videos. Nothing elaborate I'm not a composer. Just
want it to sound great.
A) Either of the
Basic systems will do. Get Sonar, or Acid, which allows you to lock together
some audio loops and record stuff along with your video, do voiceovers, play guitar,
etc.
Q) Tweak I want
to write dance, techno, industrial all that stuff. Which is for me?
A) Start mixerless
and upgrade with a lot of software instruments. Might want to get a synth
that makes analog noises. Note you can crossover from the Basic mixerless
rig to a Large mixerless rig by just getting a larger audio interface.
Q) We have a
band of 5 old hippies--acoustic and vocals, piano, standup bass.
A) Basic Multi
track systems. Get something with about 12 tracks or more. Groovy man.
Strawberry Fields. Number Nine!
Q) Tweek You
RAWK DUDE! Me boys do Zepplin like Led man and I'm the drummer and I want
at least 9 mics on my kit.
A) The last 3 systems
will work, but note you have to buy additional preamps if you don't go the large
analog mixer approach. A Lot of drummers like the Onyx Firewire solution cause
it can send a ton of channels to the computer at once. See you when the Levy
breaks...(argh what has gotten into me tonight?)
Q) How come
you don't list Control Surfaces under Multi tracks as an option?
A) Cause they generally
don't work with them. They manage the mixer inside your computer software.
Q) I STILL DON'T
KNOW WHICH STUDIO IS RIGHT FOR ME. HEEELLLP!! I LIKE TO BE SPOONFED.
WHAT CAN I DO NOW?
A) So you are the
guy always posting in ALL CAPS. Aha, a Spoonie too! Ok, read the Guide...oh
rats you ARE reading the guide. OK, go over to the forums and PM all the top
contributors!
No, don't really
do that
Studio-central
has tens of thousands of posts like the above where this subject is approached from
every conceivable angle. Search and ye shall find!
Tweak Out.
Comment
or Leave feedback on this article

Go On to the
Next Class
back to the previous page
Freakin' out? Need to talk
about these decisions? Ask Tweak and the Studio-Central Community in the
"Ask your
questions" forum. But be nice to him, he's answered these many, many many
times. :)
Cool Quote:
Music, when soft voices
die, Vibrates in the memory; Odours, when sweet violets sicken, Live within
the sense they quicken.
Percy Bysshe Shelley
(1792–1822), British poet.
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